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Elling (2001)
    
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Directed
by:
Petter Næss |
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COUNTRY
Norway |
GENRE
Comedy/Drama |
INTERNATIONAL
TITLE
Elling |
RUNNING
TIME
89
minutes |
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Produced
by:
Dag Alveberg |
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Written by
(based on the novel Brødre i blodet by Ingvar
Ambjørnsen):
Alex Hellstenius |
Review
Peter Næss' adaptation of Ingvar Ambjørnsen's beloved
novel about the dysfunctional lives of Elling and Kjell Bjarne is one of
only three Norwegian films – alongside
Ofelas (1987) and
Søndagsengler
(1996) – to be nominated for an Academy Award in the category of non-English language films. Elling
may not have the edge and
power to make this psychological and sociological study as
mind-expanding as it probably should have been, but Næss' knack for
making unconventional characters (which are actually rather conventional
in the Norwegian film tradition of portraying outlandish,
edge-of-society characters) entertaining and likeable will do the trick
for most viewers.
The performances are
likeways: likeable and charming, if not terribly deep. Nevertheless, Per
Christian Ellefsen
as Elling and Sven Nordin as Kjell Bjarne find an effective, reciprocal tone between them.
All the while, Ambjørnsen's interesting ambiguity towards the success of the
Scandinavian welfare system when it comes to mental illness is the
film's thematic backdrop – he criticizes the institutional and
secluding tradition Elling and Kjell Bjarne are rooted in, yet still has faith that the dutiful public sector (impersonated by Jørgen
Langhelle's character) will be able to make things right.
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