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Søndagsengler (1996)
Review Beautiful, slow-moving and visually conscious Norwegian drama about a priest's daughter and her psychological transition from the start of her confirmation preparations to after the ceremony. As directed and co-written by Berit Nesheim (Frida, Høyere enn himmelen), the film demonstrates a deep understanding of its characters. And the narrative, which is presented from Maria's perspective, comes tiptoeing elegantly along. It's through Nesheim's inquisitive directorial style, more than through plotting, that we get to know our rather complex protagonist and the people around her. Maria is played with insight and strength by the 17-year-old debutant Marie Theisen from Lillehammer. Her balanced performance anchors the film's discussion of the impact of Christianity, both on a personal level and within Norwegian society in the 1950s and 60s. Søndagsengler is an accomplished and intriguing film, elevated by strong performances and Arne Borsheim's fine photography. It was nominated for Best Foreign Language Film at the Academy Awards in 1997.
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