The Shootist (1976)

	Directed by: Don Siegel	COUNTRY USA GENRE Western NORWEGIAN TITLE The Shootist RUNNING TIME 100 minutes
	Produced by: M. J. Frankovich William Self
	Written by (based on the novel by Glendon Swarthout): Scott Hale Miles Hood Swarthout

Cast includes:
CHARACTER	ACTOR/ACTRESS	RATING
J. B. Books	John Wayne	½
Bond Rogers	Lauren Bacall
Gillom Rogers	Ron Howard
Dr. E. W. Hostetler	James Stewart	½
Mike Sweeney	Richard Boone
Jack Pulford	Hugh O'Brian
Carson City Marshal Walter Thibido	Harry Morgan
Hezekiah Beckum	John Carradine
Serepta	Sheree North
Moses Brown	Scatman Crothers
Jay Cobb	Bill McKinney
Dan Dobkins	Rick Lenz

Review

John Wayne's final movie is a refined and pensive western about an old gunman who rides into Carson City to pay a visit to an old doctor about a back problem that turns out to be terminal cancer. Unfazed, he lodges a room at a local guesthouse and starts planning a demise as untroublesome and dignified as possible. As the city welcomes him – a previously feared and revered pistol-fighter now past his heyday – it becomes clear to both us and him that time has come not only for him, but also for his kind.

The Shootist is a more modern western than what was typical for the 1960s and 1970s (and certainly than what Wayne had been used to) in the sense that it is character-driven and interested in the transition from the Wild West to the urban, technological United States – and how the gunfighter gets lost in the void that this transition creates. Director Don Siegel (Dirty Harry) shows that he understands the value of subtlety, but it is Wayne himself, through his understated and deeply touching portrait, who gives the film the necessary authenticity and class. Siegel himself cannot avoid resorting to a few crude and inelegant 1970s-ish action sequences that don't fit well into the film's tone and tempo. And this goes especially for the final set-piece, which isn't given the necessary context to come off as the dignified and righteous swansong for Books as it should have. But this doesn't take anything away from the social and historical observations and the many brilliant character relations, all of which are remarkably harmonised by Wayne himself.