|
|
|
|
Mystic River (2003)
A stellar cast and solemn direction by Clint Eastwood lay the foundation for this adaptation of Dennis Lehane's bestselling crime novel – a critical and commercial success when it was released in 2003. The film has an intriguing premise, as we are introduced to three young kids from Charlestown, Boston, on the day of a traumatic event in 1975, before reuniting with them 25 years later, when their lives have taken different turns, all more or less revolving around crime and guilt. The devices Eastwood employs in order to elevate the story beyond familiar crime fiction tropes are slow pacing and overly expressive acting, which unfortunately aren't the right recipe to disguise the script's weaknesses and contrivances. Eastwood aims to create an all-encompassing piece about loss, guilt, and original sin, but the overemphasised themes and humourless sentimentality merely underline the film's ultimate lack of subtlety. As it stands, Mystic River is a fairly well-structured police procedural with a seemingly intriguing plot just a notch above Law and Order standard. Handled differently, it could also have become something more.
|
|||||||||||||||||||||||||||||||||||||||||||||||||||