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Woman of
the Hour (2023)
    
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Directed
by:
Anna Kendrick |
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COUNTRY
USA |
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GENRE
Crime/Thriller |
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NORWEGIAN TITLE
Woman of the Hour |
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RUNNING
TIME
94 minutes |
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Produced
by:
Roy Lee
Miri Yoon
J. D. Lifshitz
Raphael Margules |
Written by:
Ian McDonald |
Review
The great efforts of the set decorators
and costume designers to faithfully recreate the 1970s aren't quite
matched by Anna Kendrick's contemporary vocal fry
and snappy quips in this recounting of how serial killer Rodney Alcala and
young bachelorette Sheryl Bradshaw met on the TV show The
Dating Game in 1978. However, Kendrick's main feat with her
directorial debut isn't in the acting department, but rather her remarkably
tight and suspenseful direction. Woman of the Hour has an
unmistakable
satirical undercurrent – a damning verdict on 1970s male behaviour (and not particularly that of serial killers)
– but it plays like a
smooth classical thriller. Kendrick's intercutting between various
timelines and characters, all centered around the
recording of that one episode of The Dating Game, functions as a
gripping intensifier and highlights the various psychological
aspects at play for everyone involved, including Bradshaw, Alcala,
and his final victim in this story, the young Amy (Autumn Best). In
the role of Alcala, Daniel Zovatto (It Follows) delivers a sizzling
performance that constantly balances on the fine line between
maintaining a courteous, even charming appearance and revealing his
true self, which, in one harrowing scene towards the end, seems
terrifying even to himself.
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