Varg Veum – Bitre blomster (2007)

Succeeded by: Varg Veum – Tornerose (2008)

	Directed by: Ulrik Imtiaz Rolfsen	COUNTRY Norway GENRE Crime/Thriller INTERNATIONAL TITLE Bitter Flowers RUNNING TIME 90 minutes
	Produced by: Jonas Allen Peter Bose
	Written by (from the book by Gunnar Staalesen): Thomas Moldestad

Cast includes:
CHARACTER	ACTOR/ACTRESS	RATING
Varg Veum	Trond Espen Seim	½
Anna Skjelstad	Katherine Fagerland	½
Hamre	Bjørn Floberg
Isachsen	Endre Hellestveit
Odin	Anders Dale	½
Trygve	Øyvind Gran	½
Harald	Per Jansen	½
Vibeke	Trine Wiggen
Bård	Håvard Bakke
Warren Donaldson	Nicholas Hope

Review

This is the sort of films we've always had to import in Norway – at least if we wanted them good enough to sit through. There is a great tradition for crime fiction in Scandinavia, and the market for books and films about private detectives and headstrong police investigators is consistently solid. The Swedes have adapted Jan Guillou's Hamilton and a series of TV movies of Sjöwall & Wahlöö's Beck that subsequently have become great successes in the home media market. In Norwegian film, it started with the adaptations of Anne Holt's female police detective Hanne Wilhelmsen, and we have since had Den som frykter ulven, based on Karin Fossum's novel.

When Gunnar Staalesen's Varg Veum is finally brought to the screen, it's as if we've come full circle. Veum is the classic, old school private detective, stemming from a long line of shady heroes right down to Raymond Chandler's Philip Marlowe. That's why it's a welcome relief to see director Ulrik Imtiaz Rolfsen (Izzat) give Veum the good old-fashioned treatment. The main priority here is suspense, which is thrust forward effectively through fine craftsmanship and a sexily determined Trond Espen Seim in the lead. Some of the investigatory breaks may come across as a tad too convenient, and the one-dimensional slimeball bad guys seem like foreign bodies in a film set in Bergen, but that doesn't diminish the fun or the effect of this well-written story. And, of course, the filmmakers have been wise enough to deploy Bjørn Floberg to spice things up a little. Some tricks work every time.