Smug and quite authentic quiltwork drama discussing different varieties of dysfunctionality and alienation in a Norwegian society the filmmaker claims to have been de-emotionalised. Writer/director Sara Johnsen (Vinterkyss) demonstrates both an understanding of and an ability to convey interesting and idiosyncratic interpersonal relationships, and she also proves that she can write clever intrigues and romance that alternate rather pleasantly between classicism and pulp. The common denominator for Upperdog is that it is thoroughly interesting, and often very funny – despite veering into the melodramatic towards the end, when every character opens up and cries out their despair. Tidy and neat, Johnsen might have thought, but she does cheat our patience a little. Fine performances from several actors enhance this apt piece, particularly the very talented youngster Magnus Bjørnstad as Per's little brother. He steals every scene he's in with his curious, otherworldly outlook on life.

Copyright © 08.10.2009 Fredrik Gunerius Fevang

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