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Top Gun: Maverick (2022) Preceded by: Top Gun (1986)
Just when it seemed like it had rendered itself completely irrelevant with its obsessing over superhero franchises and remakes, Hollywood threw out this lifeline to the fast-diminishing population of adult moviegoers. And it was immediately rewarded with incredible box-office numbers. Unlike so many films in the action/adventure genre of recent years, Top Gun: Maverick is a proper movie – traditional escapism for long-time movie buffs – which is as enjoyable to see as it is a relief. Granted, we are talking about a sequel here, but it’s a sequel that stands firmly, independently, and confidently on its own feet as an apolitical, unironic, straightforward movie made with aesthetics and thrills in mind. And one of the reasons the action works so well is that it feels organic. CGI is used as a tool, not as a foundation, which makes a world of difference for how the flying action looks. From the minute Pete "Maverick" Mitchell is reintroduced, and once all the nostalgia has quieted down, Top Gun: Maverick gets into its slick, well-laid-out setup of fighter jet training, an exhilarating real-life mission, and only a semi-vapid romance between Maverick and Penny, played with a perpetual pose by Jennifer Connelly. Tom Cruise, on the other hand, looks amazing and gives one of the most compelling performances of his career. When Maverick is told by his old pal Iceman that "it's time to let go" and Cruise replies "I don't know how", the actor looks to be tapping into more real emotion than he has ever done before. I, for one, believe that Cruise might not know how to let go, but luckily there is no need to just yet.
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