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Stargate
(1994)
    
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Directed by:
Roland Emmerich |
COUNTRY
USA
France |
GENRE
Science Fiction/
Action/Adventure |
NORWEGIAN TITLE
Stargate |
RUNNING TIME
121
minutes |
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Produced by:
Joel B. Michaels
Oliver Eberle
Dean Devlin |
Written by:
Dean Devlin
Roland Emmerich |
Review
When the German sci-fi filmmaker Roland
Emmerich, having just scored a big hit with Universal Soldier
after a string of low-budget productions, co-wrote and directed
Stargate, it was in many ways the birth of a new kind of
Hollywood monster: bombastic storytelling, extravagant visual
effects, huge money splashed around – and big stars onboard, despite
Emmerich’s inescapable B-movie sensibilities. That the result turned
out to be not only a spectacle, but also a real adventure with a
certain human touch was a modest confirmation that Emmerich wasn’t
just a one-trick pony.
The first part of Stargate is
inspired filmmaking, consisting of clever ideas imbued with
historical relevance and emotional resonance. The introduction of a
typically fascinating James Spader character forms an effective
starting point, and off we go on a combined space travel and
anthropology lesson that will likely capture your interest – at
least for a while.
Not for the first or last time,
Emmerich is guilty of rushing through the scientific elements of his
story and quickly becomes preoccupied with animosity and warfare. No
matter the amount of invention on display, both Hollywood and
Emmerich always tend to fall back on the good ol' gunfight to settle
the score. Still, the human element of Stargate elevates the
experience. The film has a naïvely uplifting message – that any
oppressor is only ever one collective revolt away from collapse. The
power of union, love, and the human condition is proudly held aloft
to sway and move you – if not quite to tears, then at least to a
certain wide-eyed engagement.
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