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Seven (1995)
    
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Directed
by:
David
Fincher |
AKA
Se7en |
COUNTRY
USA |
Genre
Crime/Thriller |
NORWEGIAN TITLE
Seven |
RUNNING TIME
123
minutes |
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Produced
by:
Phyllis
Carlyle
Arnold Kopelson |
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Written by:
Andrew Kevin
Walker |
Review
Andrew Kevin Walker's
screenplay is
clever without being too complex, David Fincher's direction is stylish and
visually assured, and the steadily unfolding plot feels almost
predictable until it detonates in an explosive twist that, in 1995,
still felt startingly fresh – as compelling here as in Bryan Singer's
The
Usual Suspects. What elevates Seven is that the finale isn't
merely effective
narratively but also opens up a well of psychological and sociological discussions
that have been simmering beneath the
film's surface throughout.
The initial premise here
recalls
The
Silence of The Lambs, with
an ambitious young detective entering the mind of a serial killer under
the guidance of a more seasoned mentor. Some of the early scenes
feel genre-bound and recycled, maybe Fincher needed some time to
shake off his dispiriting Alien³ experience, but as we delve
deeper into the case, Fincher's antiquated, rain-soaked, decaying urban
landscape settles into place and creates an effective backdrop for the
film's deeper exploration of morality, human values, and modern urban
existence. The acting is strong, in particular by Morgan Freeman, who
gives probably the best performance of his career as a weary,
disillusioned detective who sees the rot around him.
Re-reviewed: Copyright ©
03.11.2010
Fredrik Gunerius Fevang
Original review: Copyright © 17.04.1997
Fredrik Gunerius Fevang |
[HAVE
YOUR SAY] |
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