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The Score (2001)
Three outstanding, idiosyncratic individualists of the method acting school who are partly pulling in each their own direction is one of several problems this classically structured thriller must deal with. Together with director Frank Oz, they try to make these somewhat too-familiar movie characters interesting while navigating a script that never tries to hide its fascination for old-fashioned heist movies. The problem isn't this homage in itself, but that neither the actors nor Oz are able to give the project any thrust or distinction. Oz's direction has a mechanical feel; it clearly lacks inspiration and flair. What we're left with is a technically competent thriller of only mediocre thematic and artistic value. Brando, De Niro, and Norton are always fun to watch, but the considerable amount of talent on display in The Score hasn't been converted into more than the sum of its parts.
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