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Scener ur
ett äktenskap (1974)
    
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Directed
by:
Ingmar Bergman |
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INTERNATIONAL TITLE
Scenes from a Marriage |
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COUNTRY
Sweden |
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GENRE
Drama |
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NORWEGIAN TITLE
Scener fra et ekteskap |
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RUNNING
TIME
167 minutes |
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Produced
by:
Lars-Owe Carlberg |
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Written by:
Ingmar Bergman |
Review
Despite its overanalytical, stagey and
occasionally affected nature, this Swedish made-for-television
miniseries turned international cinematic release may well be Ingmar
Bergman at his most progressive. Scener ur ett äktenskap was
ahead of its time: an exhaustive dissection of a marriage through
several episodes, evolutions, and eras. Bergman’s achievement here,
in addition to his special talent for laying his characters bare –
or rather having them lay themselves bare – is the isolated, intense
form in which he presents the story. If you occasionally feel he has
abandoned his two leads, leaving them to fend for themselves under
his watchful, sometimes exploitative eye, he somehow always
eventually reels them in, letting them rediscover their own voice
and identity, usually for their own sake rather than for the
director’s objective. There’s a timelessness to the combative,
devouring discussions between Johan and Marianne, even if they very
obviously, almost smugly, exist in the wake of the sexual
revolution. Admittedly, Erland Josephson and Liv Ullmann belonged to
the generation that preceded the sexual candour they perpetuate,
which is a classic example of how great art can be at the forefront
of societal and human currents, and this may well have been
Bergman’s greatest talent.
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