The Savages (2007)

	Directed by: Tamara Jenkins	COUNTRY USA GENRE Drama NORWEGIAN TITLE The Savages RUNNING TIME 114 minutes
	Produced by: Anne Carey Ted Hope Erica Westheimer
	Written by: Tamara Jenkins

Cast includes:
CHARACTER	ACTOR/ACTRESS	RATING
Wendy Savage	Laura Linney
Jon Savage	Philip Seymour Hoffman
Lenny Savage	Philip Bosco	½
Larry	Peter Friedman
Eduardo	David Zayas
Jimmy	Gbenga Akinnagbe	½
Kasia	Cara Seymour

Review

It's a known fact that writers like to write about other writers and that they often seem to create a world in which everyone can be an intellectual and/or a successful playwright. Even if these characters are struggling writers, they will get their break by the end of the film, and who can blame this trait? After all, the film we are watching is probably the result of a once-struggling writer getting his or her big break.

Luckily, some of these writer-loving writers also now have something to say about other issues in life. Tamara Jenkins, penner and director of the sweetly melancholic drama The Savages, portrays the directionless, deromanticized lives of modern, urban 30- and 40-somethings almost as well as she portrays the process of ageing (with dementia) in a public American nursing home. The former, of course, has been done by many filmmakers before her in recent years, whereas the latter is not the most frequent motif in film. Sarah Polley, in my opinion, went overboard in her depiction of Alzheimer's with Away from Her in 2006, whereas Tamara Jenkins captures the subtleties of the situation better. She wants to show that although people may experience situations like these as tragedies, they are ultimately just the trivialities of life, and her characters must learn to look outside of themselves. Wendy's unrealistic idealism, Jon's pragmatic detachment, and Lenny's frustrating resignation to his fate provide clashes, yet they are small and bearable clashes united by the love they all have for each other, despite their history.

There are moments of great interpersonal and emotional value in this film, and Jenkins also kicks fairly heavily at the costly, glossed nursing homes, which she claims in many cases represent nothing but a romanticised idea of a "nicer" and "less real" form of ageing (or dying, as Jon claims) – more useful for the conscience of the relatives than for anything else. The Savages wants to debunk some myths about public welfare while at the same time asking us to get more in touch with reality, both when it comes to our life cycles and the concept of settling down. Despite a few too familiar moments, The Savages is a good film with depth of character – helped by the consistently strong acting by the two unassuming leads and the very impressive Philip Bosco.