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Poltergeist (1982)
    
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Directed
by:
Tobe Hooper |
COUNTRY
USA |
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GENRE
Supernatural horror |
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NORWEGIAN TITLE
Poltergeist |
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RUNNING
TIME
114 minutes |
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Produced
by:
Steven Spielberg
Frank Marshall |
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Written by:
Steven Spielberg
Michael Grais
Mark Victor |
Review
With almost half a century of
hindsight, Poltergeist is much closer to being the all-American
family drama than a truly seminal supernatural horror film. In its
first part, director Tobe Hooper's vivid lens captures the zest of
1980s family life with wonderful flair, and Craig T. Nelson
and JoBeth Williams make these two suburban parents more fully
fleshed-out than we've seen in most films. When the supernatural elements kick
in just before the halfway mark, the film alas becomes mostly a gimmicky
show-off. It's all so slickly made and visually impressive,
especially considering its year
of production, that you can understand why
contemporary audiences and critics alike were pulled in (so to
speak). And yet, the pull is one of superficiality; of smoke and
mirrors. The filmmakers view the story's thematic substance as grown-ups view Santa Claus – with no real conviction. We're supposed
to be in awe of the cinematic trickery, not the supernatural
phenomena themselves. This ruins any true horror effect the film
could have had, unless, of course, you are at Carol Anne's age
yourself. There are fine, sometimes impressive, performances across
the spectrum, but particularly by Williams and little Heather
O'Rourke. The musical score, by Jerry Goldsmith, is too enamoured
with itself.
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