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Point
Break (1991)
    
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Directed
by:
Kathryn
Bigelow |
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COUNTRY
USA |
GENRE
Action/Crime |
NORWEGIAN
TITLE
Point Break |
RUNNING
TIME
122
minutes |
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Produced
by:
Peter Abrams
Robert L. Levy |
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Written by:
W. Peter Iliff |
Review
As
a genre movie, Point Break is a hybrid between the 1980s action genre,
with industrious, fast-paced scenes and partly banal characterizations
on the one hand, and a visionary nod to the Tarantinoesque, relentlessly
violent, and far more creative films of the early 1990s on the other. It works
well in this mode, albeit not within a realistic framework. It's through
the portrayal of surfing – explicitly – and breaking free – implicitly
–
that Point Break has its primary thematic value. The
conception of the Bodhi character is crucial in this respect, and it's very well executed.
Director Kathryn Bigelow shows flair – she doesn't get tempted into letting her film revolve
around trivial, over-discussed themes (except perhaps the somewhat
superficial Johnny Utah/Tyler relationship), but instead goes deep into the
psychology of Bodhi and the shroud of mystery he surrounds himself with. The
philosophy involved isn't exactly groundbreaking, but the film has a seductive
air of freedom, liberation and carefreeness that lifts the overall
effect above the basic plotline. It makes the finale
surprisingly effective, even if there's not too much suspense left. On
its way there, Point Break is great fun. Keanu Reeves looks great
and has his fine moments, but unfortunately falls flat in a handful of
the more dramatic scenes. Patrick Swayze is satisfactorily enigmatic and scruffy, and Gary
Busey is fine as the counterweight – stealing most of the scenes he's
in.
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