|







 
|
 |
Paris,
Texas (1984)
    
_150w.jpg) |
Directed
by:
Wim Wenders |
|
COUNTRY
West Germany
France
United Kingdom |
|
GENRE
Drama |
|
NORWEGIAN TITLE
Paris, Texas |
|
RUNNING
TIME
147 minutes |
|
Produced
by:
Don Guest |
Written by:
Sam Shepard
L. M. Kit Carson |
Review
Wim Wenders' film about a seemingly
amnesiac man who appears out of nowhere in the Texas desert and must
try to piece his life back together is a magnificently photographed,
heavily allegorical piece of timeless proportions. By combining an
arch-American setting with a distinctly European style, the German
director achieves true uniqueness; Paris, Texas feels more
European than most of his work, yet looks like a modern western.
This is only one of several contradictions explored and toyed with
here – the picture is full of them. Wenders approaches his themes
with subtlety, but isn't afraid to spread them out with large,
momentous strokes. And perhaps somewhat surprisingly, the effect
isn't only impressive from a cinematic point of view – it is also
deeply touching. Included in the story is familiar and universal
ugliness, perhaps even depravity, but it is portrayed and discussed
in a beautiful manner. Through the incongruity between Travis'
gentle, fatherly demeanor and the callous deeds of his previous
life, the film effectively accentuates that we are not defined by
our actions,
even though we ultimately have to own up to them. In Wenders' view,
humans are intrinsically flawed, but still deserve love and understanding. The
final scene is as heart-rending as it is open-ended.
|
|