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One-Eyed
Jacks (1961)
    
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Directed
by:
Marlon
Brando |
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COUNTRY
USA |
GENRE
Western/Drama |
NORWEGIAN
TITLE
Revansj |
RUNNING
TIME
141
minutes |
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Produced
by:
Frank P. Rosenberg |
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Written by
(based on a novel by Charles Neider):
Guy Trosper
Calder Willingham |
Review
The
one and only film Marlon Brando ever directed is just as moody,
introspective
and distressed as the actor himself. It's an overlong film filled with
juxtapositions of right and wrong explored more deeply and probingly
than was customary or even allowed in westerns at the time. But then
again, One-Eyed Jacks never was going to be a typical John Ford
western, which is no surprise considering Brando's
affiliation. There are no vivid descriptions of lifestyle and no
warmth of atmosphere. The film is completely void of nostalgia, which is
also rather unusual for the genre. Even Sergio Leone's cruel rendition of
the West had some of that sentimentality. In all probability this simply
didn't interest Brando. One-Eyed Jacks represented a chance for
him to explore the human psyche, which he did excessively,
uncompromisingly and with a fair share
of that well-known arrogance of his.
After Brando had produced a first cut of the
film at five hours, the studio trimmed it down to its current two
and a half hours to satisfy conventions. And while this saves us from what
would have been an indigestible chunk of Brandoism, it also removes some depth
– making certain segments somewhat loosely
motivated, and ultimately, the romance even mushier than Brando and
Pina Pellicer were able to make it in the scenes they share. The film is
at its most interesting in the relationship between Brando and Karl
Malden,
which is one of timeless and explosive proportions. Brando cleverly
leaves the friction between the two simmering throughout the movie,
which gives the film suspense and tension. And Malden is the director's most
powerful instrument, delivering a riveting and complex performance. For all
Marlon Brando's eccentricities, or perhaps because of them, it's a pity One-Eyed
Jacks remained his only directorial entry.
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