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Napola
– Elite für den Führer (2004)
    
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Directed
by:
Dennis Gansel |
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COUNTRY
Germany |
GENRE
Drama/Historical |
NORWEGIAN
TITLE
Der Führers
elite |
RUNNING
TIME
110
minutes |
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Produced
by:
Molly von Fürtsenberg
Viola Jäger
Harald Kügler |
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Written by:
Dennis Gansel
Maggie Peren |
Review
Here
is the Swedish film Ondskan's
more historically potent and less showy twin, and another example of the
decency and balance that has characterised German filmmaking in recent
years – particularly in depictions of WWII,
which German cinema has not been ready to do until recently. In Napola,
the young director Dennis Gansel presents a riveting look at how kids
(notably the most talented ones) were trained into embracing the Nazi
ideology. The film is more about values than war – a poignant study of the fine line that separates right from wrong,
thus remarkable for its ethical aspects. And still, the film is equally accomplished on the visual side,
with its crisp, compelling photography capturing the time in
question better than most films set during the era. The casting is a key
here, both in giving the film the right historical feel, and also
because of the
erotic tension between the boys. There are particularly great
performances by Tom Schilling, Devid
Striesow and Thomas
Drechsel, as well as
Max Riemelt in the lead. Like Sophie
Scholl, the film manages to go into the depths of
WWII-era Germany without bias (or at least with little bias) in order to
explore the subtler elements of the machinery. In Gansel's view, Nazi
Germany was a brilliantly effective and prominent society with values
that are not only lost today, but also largely missed and forgotten. Its only drawback
was that it was founded on a completely flawed ideology.
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