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The Long
Goodbye (1973)
    
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Directed
by:
Robert Altman |
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COUNTRY
USA |
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GENRE
Neo-noir |
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NORWEGIAN TITLE
The
Long Goodbye |
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RUNNING
TIME
112 minutes |
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Produced
by:
Jerry Bick |
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Written by
(based on the book by Raymond Chandler):
Leigh Brackett |
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Cast includes:
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CHARACTER |
ACTOR/ACTRESS |
RATING |
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Philip Marlowe |
Elliott Gould |
  ½ |
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Eileen Wade |
Nina van Pallandt |
   |
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Roger Wade |
Sterling Hayden |
    |
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Marty Augustine |
Mark Rydell |
   |
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Dr. Verringer |
Henry Gibson |
 ½ |
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Harry |
David Arkin |
- |
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Terry Lennox |
Jim Bouton |
- |
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Morgan |
Warren Berlinger |
- |
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Rutanya Sweet |
Rutanya Alda |
- |
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Dave "Socrates" |
David Carradine |
- |
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Hood |
Arnold Schwarzenegger |
- |
Review
Robert Altman's trademark aloof,
satirical angle gives this adaptation of Raymond Chandler's 1953
novel of the same name a distant, somewhat inconsequential quality.
Perhaps surprisingly, this doesn't necessarily strip away much warmth or
fun, because Altman and his players manage to let the story unfold
and allow some level of immersion, though the director fails to
present a rationale for his satire. It's just there, as if an intrinsic part of Philip Marlowe and the world he inhabits. Elliott
Gould's version of Marlowe is neither heroic nor clever; he's more
of an involuntary participant in his own life, with the ability
to experience but hardly alter events. In Altman's view, the life of the hardboiled
detective is deterministic. He's an observer, but
without the added pleasures of the voyeur. It’s not the genre's
seedy pulp Altman lampoons here, but rather its very existence –
which makes the satire neither particularly caustic nor relevant. The
Long Goodbye is at its most interesting in its study of the
Roger Wade character, played with some gusto by Sterling Hayden. A
young Arnold Schwarzenegger appears briefly as one of the villain's
henchmen.
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