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Little
Children (2006)     
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Directed
by:
Todd Field |
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COUNTRY
USA |
GENRE
Drama/Comedy |
NORWEGIAN
TITLE
Som små barn |
RUNNING
TIME
130
minutes |
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Produced
by:
Albert Berger
Todd Field
Ron Yerxa |
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Written by
(based on the novel by Tom Perrotta):
Todd Field
Tom Perrotta |
Review
After
the explosive In
the Bedroom a few years ago, first-time director Todd Field
burst onto the scene as a special new talent.
I still regard him as such, even though this new film is a
step back for him. He is still a daring filmmaker who presents human drama in an absorbing and unique
manner. At its best, Little
Children sucks you in and stirs you up. There are a few segments here
that work brilliantly (not least those involving the Noah Emmerich character),
but not
everything works equally well, including the portrayal of the
paedophile Ronnie (Jackie Earle Haley). Field deploys an interesting
angle, trying to awaken a feeling of ambivalence towards the character, while at the same time
criticising the way
society treats his kind. Unfortunately, the character itself isn't
convincingly written. His mannered actions and dialogue weaken his credibility.
It's nice to see Jackie Earle Haley (Breaking Away) back on the
screen, even if he ultimately isn't able to avoid Ronnie becoming a stereotype (which the Academy
probably won't recognise – they'll
just applaud the courage).
Field
also encounters problems trying to balance his serious drama with his at
times misplaced comedy – often carried by the indiscreet narrator, who sounds like
a cross between 1950s sci-fi and romantic pulp literature. This leads to
several changes in tone and mood that
more often than not feel out of place or unsubtle. Little Children
doesn't flow as easily and naturally as In the Bedroom did – which is the biggest difference between the
two. They both portray intimate, tragic characters and offer brilliant
drama. There's power in this story as well, but by the end of an
exhausting two hours, you're happy to walk out and reassure yourself that not every single person you meet is dysfunctional.
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