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The Good Son (1993)
Messy, unsubtle and psychologically
uneven thriller about bad seed Macaulay Culkin, who terrorizes his family with
more or less evil antics, and then tries to recruit cousin Elijah Wood to his
team. There are many problems associated with The Good
Son, but director
Ruben's sense of suspense is not one of them. Viewed in isolation, there
are a handful of good, playful and harrowing bits and pieces in the film, and one of them is the chilling finale. That scene has many
aspects, including both emotional and thematic depth. But at the
same time, it cannot escape the context in which it is presented.
Because the script (by Ian McEwan, but allegedly mutilated by the
Culkin family) is far too showy and self-conscious while also lacking the insight it desperately needs in order to present Henry as anything resembling a real child. Elijah Wood's
authenticity and natural presence in front of the camera easily
exceeds Culkin's desperate and immature attempt at playing a psychopath,
and it is Wood who gives the film most of its dramatic value. The Good
Son
is an occasionally enjoyable chiller – given that you don't ask too many questions.
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