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Fracture (2007)
    
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Directed
by:
Gregory Hoblit |
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COUNTRY
USA/Germany |
GENRE
Thriller |
NORWEGIAN
TITLE
Fracture |
RUNNING
TIME
113
minutes |
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Produced
by:
Charles Weinstock |
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Written by:
Daniel Pyne
Glenn Gers |
Review
Gregory Hoblit played
delicately with the courtroom/psychological thriller sub-genre in his
debut feature, Primal Fear, in
1996. With Fracture, he has in many ways come full circle. The
two films share some notable strengths: the fine pacing, the ability to
present rather intriguing juridical aspects without confusing or boring
the viewer, and the playful psychology involved. While one can argue
that both films are implausible, Fracture is the least successful
at hiding it. This is a staged, though
well-staged film, in which Anthony Hopkins blends a little Hannibalism
with a little Andrew Wyke and seems to enjoy the process, without giving
it too much effort. His adversary is hot-shot lawyer Ryan Gosling, who's
about to move from the prosecutor's office to the corporate sector to
chase the big money. The duo end up wrestling for the truth as the
prosecution struggles to prove Hopkins' seemingly apparent guilt after his cheating wife is murdered.
Fracture has
plenty of potential in the duelling between Hopkins and Gosling. Their first
encounter in a prison booth is delightful, but Hoblit doesn't quite
manage to develop this relationship like he did with Martin Vail and Aaron Stampler
in Primal Fear. Instead,
he becomes a little too preoccupied with trying to justify the inadequacies
in the plot and
a completely unnecessary (and annoyingly mandatory) romantic sub-plot.
That doesn't mean that the film doesn't remain interesting and enjoyable
throughout. Fracture may not offer much novelty, but it
replicates a once-beloved formula quite adequately. And of course, a
couple of fascinating actors help. There always seems to be something
going on behind the eyes of Anthony
Hopkins, and he almost even makes his Ted Crawford here believable.
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