Falling Down (1993)

	Directed by: Joel Schumacher	COUNTRY USA GENRE Drama/Action/Thriler NORWEGIAN TITLE Falling Down RUNNING TIME 113 minutes
	Produced by: Timothy Harris Arnold Kopelson Herschel Weingrod
	Written by: Ebbe Roe Smith

Cast includes:
CHARACTER	ACTOR/ACTRESS	RATING
William 'D-Fens' Foster	Michael Douglas
Prendergast	Robert Duvall
Elizabeth Travino	Barbara Hershey
Amanda Prendergast	Tuesday Weld
Detective Sandra Torres	Rachel Ticotin	½
Nick, The Nazi Surplus Store Owner	Frederic Forrest
Mrs. Foster	Lois Smith
Mr. Lee	Michael Paul Chan	½
Captain Yardley	Raymond J. Barry	½
Detective Lydekker	D. W. Moffett

Review

Falling Down is a hard-hitting, if somewhat unfocused, social criticism in the form of a pragmatic suspense movie. The film, which was nominated for the Golden Palm at Cannes, is one of Joel Schumacher's best, showing him handling darker material in a cinematically fresh and relevant manner. Michael Douglas plays the seemingly ordinary working man who snaps under the pressure of summer heat, heavy traffic, impolite fellow townsmen, and the general strain of modern society. He sets off on a rampage across LA armed with a gym-bag of hand-weapons and a desire to visit his estranged ex-wife and daughter on the little girl's birthday.

Made during the height of Schumacher's status as a filmmaker and Michael Douglas' status as a leading man, Falling Down represents something of a career high for both. Douglas is deglamourised, high-wired and uncontrollable. His performance is powerful and subtle, letting us feel the fundamental sadness and confusion of the character. The supporting roles are equally solid, with Robert Duvall excelling (as usual) as Douglas' opposite. Duvall is a soon-to-be-retired cop of high spirits and self-discipline. He keeps his problems to himself and has specialised in being understanding towards others. Duvall yet again exhibits his deep sensitivity in a nuanced interpretation of a man with more potential than he normally exposes.

Schumacher's best achievement with Falling Down is the film's intensity. The atmosphere is electric throughout, and we can feel the surface simmering from the tension of millions of semi-unhappy, semi-desperate people stuck together. The 'D-Fens' character only represents what so many have felt like doing one time or another. It is an allegorical piece, even if the film has a tendency to get stuck at somewhat irrelevant junctures (e.g. the fast-food restaurant), and even if exactly which point Schumacher wants to make remains uncertain.