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Eddington
(2025)
    
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Directed
by:
Ari Aster |
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COUNTRY
USA |
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GENRE
Drama/Satire |
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NORWEGIAN TITLE
Eddington |
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RUNNING
TIME
149 minutes |
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Produced
by:
Lars Knudsen
Ari Aster
Ann Ruark |
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Written by:
Ari Aster |
Review
Ari Aster undoubtedly is a talented
filmmaker, which he proved with his two inventive horror excursions
Hereditary
and
Midsommar, but it seems that rambling has become his
new form of storytelling lately. In Eddington – a kooky
satire about a seemingly kooky nation on the brink of dissolution –
conspiracy theorists, cult leaders and anti-this-and-that activists
are mixed into a noisy and deliberately divisive hotchpotch of a
film. The setting is a small New Mexico town during the outset of
the Covid-19 pandemic, and the overriding theme is the ideological
and political clashes between its inhabitants, who without exception
overreact and talk past each other. It’s less a story than a relay
race of grievances, each handed off before the previous one has gone
anywhere. And the self-absorbed characters are certainly difficult
to care for. If Aster's purpose was to satirise the current
agitative climate in the Un-United States, he's pushing against an
open door. There's already enough satire from the real world around
these topics. These aren't voices that have trouble being heard;
they are rather overexposed. So for a relatively sane European, the
best part about Eddington is the privilege to turn it off.
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