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The Drama
(2026)
    
Review
Kristoffer Borgli has a peculiar view
of the world and the people in it, but unlike the threadbare 'quirky' archetypes you often find in black comedies
and indie dramedies, his characters
in The Drama feel almost unpleasantly authentic. They stutter,
fumble and often struggle not only to articulate their emotions, but
also to identify what they actually feel about the situations and
dilemmas they find themselves in. Despite dealing with some
bombastic themes, The Drama offers no simple solutions or
conclusions. Or rather, it offers an emphatic appeal for us to avoid simple conclusions and overreaction at all costs. Borgli takes
elegant jabs at modern hyperbole, American gun laws, and certain
established institutions and traditions. Still, The Drama never
feels like it's out to get anyone. At its core, this is a love story
–
and ultimately quite a beautiful one. Zendaya and Robert Pattinson
demonstrate their talent through somewhat atypical roles for both.
Their stripped-down, unpolished performances here somehow feel
closer to their true selves than anything they have done in the past. They lay themselves bare, for us and
each other. The Drama is further proof that Borgli has established
himself as one of the most pronounced new voices in
film. Even when his pictures don't fully gel, they are infinitely
intriguing both cinematically and psychologically.
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