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The Doors (1991)     
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Directed by:
Oliver Stone |
COUNTRY
USA |
GENRE
Biopic/Music |
NORWEGIAN TITLE
The
Doors |
RUNNING
TIME
141 minutes |
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Produced
by:
Bill Graham
Sasha Harari
Mario Kassar
A. Kitman Ho |
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Written
by:
J. Randal
Johnson
Oliver Stone |
Review
In Oliver Stone's vision of
1960s California – the time and scene that fostered Jim Morrison and his
band, The Doors – every image and sensibility associated with the era is amplified and embellished almost to the point of mockery.
Yet there is nothing satirical in Stone's angle, which is all about
nostalgia and idealism, as if Morrison were absolutely right: drugging, boozing, philandering,
and rebelling was and is the way to live. And maybe it is. The problem with
The Doors, in many ways a complete and engrossing biopic, is that
it doesn't offer an alternative view. We never truly get to know the
person behind the myth. Instead, we get an uninhibited celebration and
hyperbole of that myth. Stone's visionary approach also has its
advantages, however, one of which is that it connects his imagery
closely to The Doors' music and Morrison's lyrics. For large portions of
its running time, the film plays like a continuous music video, with a
thematic line pulled from a certain childhood experience of Morrison's. There
is an abundance of snakes and moons and death, and if we don't really get to know the everyday
man that Morrison also must have been, we certainly get to know some of
the demons that eventually led to his demise. And we get to revisit some brilliant music and a couple of legendary
live performances, most notably The Doors' famous rendition of "The End"
at the Whisky a Go Go nightclub. Val Kilmer gives an invested, near-complete performance as Morrison – a performance
that could also have been moving had
Stone given him more emotional material to work with.
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