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A Clockwork Orange
(1971)     
Review
Stanley Kubrick’s A Clockwork
Orange is a strikingly stylized and provocative study in cinematic technique
and narrative control. Based on Anthony Burgess’s novel, the film shocked
audiences in 1971 with its unflinching depiction of violence, sexual
transgression, and moral ambiguity – and Kubrick makes no attempt to soften it.
We are placed entirely in the perspective of Alex, our “humble narrator”, a
charismatic, intelligent, and often terrifyingly self-assured youth whose
actions challenge our sympathies. The film’s brilliance lies in Kubrick’s visual
command: every frame is carefully composed, every movement choreographed, every
detail reinforcing the hypnotic rhythm of this unsettling world. Burgess’s
idiosyncratic slang – with his “droogies,” “old in-out in-out” and “devotchkas”
– further immerses us in Alex’s twisted universe. Stylistically audacious and
morally complex, A Clockwork Orange manipulates you with delicate
precision, making you complicit in the story even as you recoil from it.
Kubrick’s fusion of futuristic aesthetics, dark humour, and formal rigor ensures
that the film remains a landmark of both narrative daring and visual innovation
– one of the most unforgettable and disturbing achievements in modern cinema.
Copyright © 17.04.1997
Fredrik Gunerius Fevang
(English version: © 27.10.2025 Fredrik Gunerius Fevang) |
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