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Beowulf
(2007)
    
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Directed
by:
Robert
Zemeckis |
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COUNTRY
USA |
GENRE
Adventure/Fantasy |
NORWEGIAN
TITLE
Beowulf |
RUNNING
TIME
113
minutes |
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Produced
by:
Steve Bing
Jack Rapke
Steve Starkey
Robert Zemeckis |
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Written by
(based on the Beowulf poem):
Neil Gaiman
Roger Avary |
Review
Beowulf places
itself in the long, congested line of ancient-influenced, hero-worshipping adventure/fantasy films that
has surfaced in the wake of Peter
Jackson's Lord
of the Rings trilogy. Still, despite being the umpteenth
one, Beowulf is one of the best, owing to Robert Zemeckis'
crisp direction, a fresh visual appearance that gives the special
effects a shelf to rest on, and a story based on Norse history and
mythology in which the hero, refreshingly, isn't a preordained 'the
one', but rather a cocky, inherently flawed womanizer with a solid track
record. There are familiar elements in Beowulf as well, but they
are all well-portioned out by Zemeckis, who knows when to start and stop,
and whose little stroke of genius here is to be just as interested in
the characters' relationship to the supernatural as he is in these beings and
forces in and of themselves. Because although Beowulf is a fable, and an
exhilarating one, it is also a fascinating portrayal (if not a completely
accurate one) of life in the North of Europe at a time when
the Norse Gods were about to be replaced by that new guy from the Middle
East. Beowulf cleverly shows how this shift altered moral values and
the spirit of living – for good or (rather) worse. Zemeckis is finally back in form,
yet again demonstrating his cinematic creativity.
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