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Backrooms
(2026)
    
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Directed by:
Kane Parsons |
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COUNTRY
USA |
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Genre
Horror |
NORWEGIAN
TITLE
Backrooms |
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RUNNING
TIME
110 minutes |
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Produced by:
James Wan
Michael Clear
Roberto Patino
Shawn Levy
Dan Cohen |
Dan Levine
Osgood Perkins
Chris Ferguson
Peter Chernin
Jenno Topping
Kori Adelson |
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Written
by (based on the web series):
Will Soodik |
Review
If you get a spine-tingling reflex from
the 'Backrooms' creepypasta that started going viral a few years
ago, then this new horror feature may give you some illusory jitters
in its first part. Utilizing early 1990s interior designs, colour
palettes, and camcorders, the film takes you on a partly
found-footage-style safari of interiors, immersing inwards for an
inside look at our innermost internals. The lead characters are a
shrink with childhood trauma (Renate Reinsve) and an alcoholic
failed architect whose wife has recently left him. When he one day
finds a hidden pathway to an enormous area of liminal spaces in the
basement of his furniture store, he ventures into a realm of warped
dimensions and distorted representations of the world outside.
Backrooms is like a mildly annoying dream that never truly
becomes a nightmare because you’re always too aware that someone’s
mind is trying to trick you. And like such dreams, it also never
makes much sense. Made by first-time director Kane Parson, one of
the early exponents of the aforementioned internet phenomenon, the
film offers plenty of easter eggs and tries to engage you in solving
its mystery, which, of course, is not there to be solved. Instead,
you’ll have to make do with grainy, yellowish cinematography and old
horror tropes camouflaged as psychological depth, which chances are
you’ll tire of long before this all fizzles out.
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