21 (2008)

	Directed by: Robert Luketic	COUNTRY USA GENRE Drama NORWEGIAN TITLE 21 RUNNING TIME 123 minutes
	Produced by: Dana Brunetti Michael De Luca Kevin Spacey
	Written by (based on a book by Ben Mezrich): Peter Steinfeld Allan Loeb

Cast includes:
CHARACTER	ACTOR/ACTRESS	RATING
Ben Campbell	Jim Sturgess	½
Prof. Micky Rosa	Kevin Spacey
Jill Taylor	Kate Bosworth
Choi	Aaron Yoo
Kianna	Liza Lapira
Jimmy Fisher	Jacob Pitts	½
Cole Williams	Laurence Fishburne	½
Terry	Jack McGee
Miles	Josh Gad
Cam	Sam Golzari

Review

This film about blackjack as played in Las Vegas by a handful of over-intellectual MIT students and their cunning professor is just as fun as the premise suggests. From setup and joyride through turning point and climax, 21 is able to keep anyone interested in numbers and gambling on the edge of their seats. The logic of the story is simplified, but still kept at a reasonably intelligent level, and the characterisations, while slightly overdone, are brilliantly executed by a fine cast headed by Kevin Spacey and the talented Jim Sturgess.

The director is Robert Luketic, the young Aussie who helmed Legally Blonde. He returns to some familiar material here, with the presentation of East Coast college life. The difference is that his portrayal here is more authentic, and there are some genuinely interesting scenes in this part, in which the film shows a remarkable attention to detail both technically and interpersonally. Sturgess' sensitive performance is the key element here – he converts material that could otherwise have felt conventional into a personalised and flowing narrative.

Enter Kevin Spacey and the concept of blackjack card counting. In order to make the film seem more interesting and advanced, the filmmakers make their concept seem like something only candidates for the Nobel Prize would be able to do, yet the drive and fine pacing help them get away with it. The most interesting aspect of 21, besides a well-adjusted depiction of MIT/Vegas/blackjack, is the psychology of our protagonist. His up-down-up rollercoaster is predictable, but also well told and incredibly well acted. Sturgess plays Ben Campbell invitingly and asks the audience to sympathise with him, to learn with him. It is an effective approach that fits perfectly with Spacey's alluringly potent adversary.

21 offers a hip getaway, much like what the youngsters in it get. And despite the explicitly standard messages of not biting more than you can chew and knowing when to stop et cetera, there are also some subtle observations on what can be rendered superficial and the significance of the increasing amount of gambling in our time. If you want to take it one step further, you could claim that 21 is an implicit attack on the funding system of American educational institutions, though that might be pushing it.