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The
Departed (2006)     
Review
There
was a time when Martin Scorsese always seemed to be one step ahead. As
if he was our informant in some of the roughest neighbourhoods in New
York. These days, his contemporary films seem to be lagging two
steps behind. The Departed is one such film - a tedious,
repetitive and conventional gangster story, perfectly fitted into
a long-overexposed genre that has exceeded its productive phase. Scorsese's direction is economical and tight but
without flair. And the script, by William Monahan, is full of uppity,
in-your-face dialogue between arrogant, more or less identical tough guys who deliver
their lines at Gilmore Girls pace, and then solve any ensuing conflict by
hitting each other. To its credit, The Departed is for
long periods an effective suspense film, and it has some
interesting characterological aspects – regarding all the major leads, but
mostly the Nicholson/DiCaprio and DiCaprio/Farmiga relations.
The performances are steadily fine, though even these stars can only do so
much with characters that have no sense of self-reflection or personal
happiness. Except for the Alec Baldwin and Mark Wahlberg characters, nobody in
The Departed has any fun. They simply drag us through a strenuous
story that ends in the
simplest, least subtle manner.
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