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The Boondock Saints (1999)
The Boondock Saints plays like the bastard offspring of Quentin Tarantino and Luc Besson. It's an overdone, baroque take on what made Pulp Fiction and Léon great, reduced to pretentious pastiche with subpar craftsmanship by first-timer Troy Duffy. Though the film does boast a stylish Willem Dafoe performance, in the vein of Gary Oldman's Stansfield, the incessant scenes of slow-mo violence feel strangely uninspired and lack any true narrative or thematic gravitas. Like the character of Funny Man (David Della Rocco), they appear to exist solely in order to strut, swank and show off.
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