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Blade
Runner (1982)
    
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Directed
by:
Ridley Scott |
COUNTRY
USA |
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GENRE
Science Fiction |
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NORWEGIAN TITLE
Blade Runner |
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RUNNING
TIME
117 minutes |
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Produced
by:
Michael Deeley |
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Written by
(based on "Do Androids Dream of Electric Sheep?" by Philip
K. Dick):
Hampton Fancher
David Peoples |
Review
The particular brand of dark,
cyberpunkish dystopian futurism Ridley Scott created with Blade
Runner may not have been innovative in a fundamental sense, but
it started a new trend in science fiction filmmaking and
re-popularised the pessimistic man-against-machine motif championed
by writers such as Stanislaw Lem and Philip K. Dick during the mid-20th century. The script was loosely based on Dick's
novel Do Androids Dream of Electric Sheep?, but Blade Runner is
much less preoccupied with Dick's philosophical underpinnings than
with film noir traditions and nods to the hardboiled
detective genre. Visually, Blade Runner is astounding – Scott really
creates a world here; an exhaustive, lived-in microcosm that is a
more palpable and organic than what had usually been seen in the genre
up to that point.
It has more in common with George Miller's Mad Max than with
earlier entries in the sci-fi genre, and both Harrison Ford's hero Rick
Deckard and Rutger Hauer's antagonist Roy Batty are emblematic,
larger-than-life characters who embody this world more than they
represent human psychology or subtle traits. Ford's phlegmatic,
stiff performance makes you wonder if the replicants are really the
more human ones. An enjoyable fable – except for Ford's lifeless
voiceover narration.
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