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Bitter Moon (1992)
    
Review
This is a delightful
mixture of corny and alluring, signed by the all-too-clever Roman
Polanski. Genre-wise, Bitter Moon is rooted in the well of erotic
thrillers appearing in the early 1990s, made popular by films such as
Basic Instinct,
Sliver and Damage.
Polanski's contribution is, like Louis Malle's Damage, ostensibly a
tad more
sophisticated than its counterparts. He goes one step further with the erotic, the
emotional and the interpersonal, creating a setup that is intriguing and ludicrous at once. Bitter Moon is playful, enticing
and silly – but it is so silly and over-the-top that we cannot refrain from
becoming caught up with it. And while Polanski
balances trashy and tasteless yet constantly interesting schemes and power struggles with at times steamingly hot erotic
material that Sharon Stone and Michael Douglas would struggle to equal, Peter Coyote is
having so much fun in the lead that we eventually see through to the
cunning humour of Polanski's tale. You may not learn all that much
about what French women are really about, but you might get an insight into
how British relationships evolve.
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