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The Baby of Mācon (1993)
This visual, narrative and moral spectacle from Peter Greenaway wants to challenge and perhaps also provoke you. It is formally and intellectually playful, though the playfulness is rarely apparent in what is unfolding on screen, which has a peculiar sterility to it despite the director's predilection for nudity, gore and theatricality. The film boasts outstanding compositions and costumes, with Greenaway using his colour palette and sets shrewdly. In staging the film at the interface between a morality play and a historical drama of religious mass upheaval, he gives himself an enviable artistic freedom to roam, even if he in the end mostly utilises it to display his carnal interests. The Baby of Mācon is a fascinating piece, although it never manages to transcend its own metaphorical level. The daring, committed performances of Julia Ormond and Ralph Fiennes give the story some nerve and humanity in the midst of Greenaway's flight of fancy.
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