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Ainda
Estou Aqui (2024)
    
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Directed
by:
Walter Salles |
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INTERNATIONAL TITLE
I'm
Still Here |
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COUNTRY
Brazil/France |
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GENRE
Biographical drama |
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NORWEGIAN TITLE
Fremdeles her |
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RUNNING
TIME
138 minutes |
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Produced
by:
Maria Carlota Bruno
Rodrigo Teixeira
Martine de Clemont-Tonnerre |
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Written by
(based on the book by Marcelo Rubens Paiva):
Murilo Hauser
Heitor Lorega |
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Cast includes:
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CHARACTER |
ACTOR/ACTRESS |
RATING |
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Eunice Paiva |
Fernanda
Torres |
   ½ |
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Rubens Paiva |
Selton Mello |
    |
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Marcelo Rubens Paiva |
Guilherme
Silveira |
- |
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Vera Paiva |
Valentina
Herszage |
- |
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Eliana Paiva |
Luiza Kosovski |
- |
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Nalu Paiva |
Barbara Luz |
- |
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Maria Beatriz Facciolla Paiva |
Cora Mora |
- |
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Félix |
Humberto
Carrão |
- |
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Dalva Gasparian |
Maeve Jinkings |
- |
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Ricardo Gomes Pimpão |
Caio Horowicz |
- |
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Dalal Achar |
Camila Márdila |
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Review
This Brazilian generational tale
directed by Walter Salles opens like a whirlwind of happy,
middle-class, analogue-era family life, before slowly clenching you
with the military dictatorship’s grip of suspicion, arbitrariness,
unknowing – and extreme torture. It's the factual version of the
1970s paranoia thrillers, if you like. Salles shoots his characters
with an immediacy that transports you to a time and place that
arguably deserves the worldwide attention it now gets, and he trusts
you to tag along without being force-fed, which is a relief. Along
with the film's narrative shift after roughly the first third comes
a necessary austerity, and Salles uses this mood almost like a
character or a device in itself, to impose on you what was imposed
on these people back in the day. It’s quite effective, even if
Salles’ tight grip never feels truly oppressive. His optimism
constantly seeps through his aesthetically solid vision. Ainda
Estou Aqui is carried by a very commanding performance by
Fernanda Torres as Eunice Paiva.
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